Going almost two years without playing a show for the first time since he was 13, Matt Heafy shares the rush it’s been to get back to the business of shredding Trivium songs live again.

The glamorous gothic queen of art, tattoos, business and beauty now redirects her attention to her original passion – music.

My interview with Alex Wolff about his role in the new M. Night Shyamalan movie quickly goes off the rails in the best way.

The legendary music and pop culture icon shares the details of his new solo album, Leave a Scar, and finding his place in the landscape of modern metal.

I had a great chat with Darren Lynn Bousman, one of the filmmakers who got me into R-rated horror. We talked about Saw, making the audience feel like an active participant, and what’s different this time around with Spiral.

It was wonderful to chat with horror filmmaker Ryan Spindell once again to talk about his film The Mortuary Collection and how the genre is in desperate need of more levity. We also talked about Moana.

My latest interview has me chatting with a couple of Irishmen about their new horror comedy Boys From County Hell and the long journey it took to make it.

“I think horror is such a fertile ground for talking about things and playing with themes in a way that makes them really palatable. You can do these really broad and huge things, you can do something like Lucky, which is really at its core about perpetual violence against women, but I can take it and make it a little funny.”

I had a great chat with musician and composer Gavin Brivik, who put together the music for Netflix’s Living Undocumented, 2018’s psychological thriller Cam, and a standout from this year’s Sundance Film Festival, Wild Indian.

I interviewed filmmaker Kate Tsang, who premiered her wonderful family film Marvelous and the Black Hole this weekend at the Sundance Film Festival. Most known for her work on Adventure Time: Distant Lands and Steven Universe: Future, we talked about how the most memorable stories for children are the ones that never talk down to their audience.

The mind behind Shudder’s latest hit, director Ryan Spindell tells us how he made a modern and successful horror anthology.

Filmmaker Jay Baruchel talks the inspirations behind his framing of violence and his fear of the United States as a Canadian.

Rising filmmaker Natalie Erika James talks her feature debut ‘Relic’ – from releasing a timely horror film during a pandemic to what’s next.

"That collaboration is what really turned this film into what it is."

“We’re never going to be on as many screens as The Avengers but we don’t need to be."