What Guillermo and Mark Gustafson did was make a movie that is about human connection, and it doesn’t matter what medium that comes from. They’re telling a story and it just happens to be stop-motion.
Read MoreHarry Melling Talks 'The Pale Blue Eye' and Creating a Fresh Version of Edgar Allan Poe→
/No one is who they seem in this film, I think it’s fair to say. Everyone’s performing on some level. I think with Poe, it’s very overt because it’s quite clear that he’s in performance mode for a lot of it.
Read MoreGuillermo del Toro on 'Pinocchio' and Tackling Deeper Emotions with Animation→
/Art is necessary and cannot be made by machines. It is an expression of the soul and it’s the only type of art that I recognize as such.
Read MoreJinjer Showcase Complexity and Perseverance on Their Final Shows of the Year→
/When you see such a huge band in such a small place, like no huge production screens or anything, you can just listen to how the musicians play their instruments.
Read MoreMichael Yezerski Talks Composing 'Pickman's Model' for 'Guillermo del Toro's Cabinet of Curiosities'→
/I wanted to give the feeling of physical pain through music.
Read MoreBen Lovett on Invoking Heavy Metal While Composing the Score for 'Hellraiser→
/How do I balance out the kind of prettiness of the melodic music – which I enjoy – with the kind of brute force of trying to get the orchestra to kind of play a metal riff, which I also love?
Read MoreJacoby Shaddix on Letting Loose with 'The Retaliators'→
/It was like filming a music video but on a much bigger level x100! There’s so much storytelling that goes into a music video, but a whole movie… it’s a much bigger scale.
Read MoreMike Flanagan & Trevor Macy on Collaborative Storytelling in 'The Midnight Club'→
/One of the things about The Midnight Club is that it celebrates different storytellers; it’s baked into its DNA.
Read MoreJaeden Martell on 'Mr. Harrigan's Phone' & Love of Stephen King→
/I’m a huge fan. He creates these brilliant universes, but I think what makes him special are his very human characters.
Read MorePerry Blackshear, Evan Dumouchel and Libby Ewing Discuss 'When I Consume You' and Finding Light in the Dark→
/To me, the idea of using genre, even if it’s just thriller or something, feels truer to internal experience than something that’s a little bit more realistic.
Read MoreDan Trachtenberg Reveals 'Prey' Almost Used Less of the Dog→
/There was not one extra frame that had the dog doing what it was supposed to do.
Read MoreAmber Midthunder Details Her Own Physical Stunts on 'Prey'
/For me, probably the scariest thing was the river because the idea of live water, it’s both very exciting and terrifying.
Read MoreNinja Thyberg on 'Pleasure', the Porn Industry and Ending Stigmas→
/If you just look at the statistics, people are consuming so much porn. It’s not like people don’t see these images. But then we’re going to pretend like it doesn’t exist and that only comes with really negative consequences.
Read MorePark Hae-soo on All Things 'Squid Game' and 'Money Heist: Korea'→
/I’m always hungry for the stage. Whether it be musical or traditional theater, I’m always willing to go back on stage.
Read More‘Chip ‘n Dale: Rescue Rangers’ Writers Dan Gregor & Doug Mand on Defying Reboot Tropes
/We wrote it just letting our imagination run wild, thinking that they’re probably not going to make it as most scripts don’t get made. There was something very freeing about it and fun.
Read MoreThe Future of Metalcore is Across the White Water Tower→
/It’s a beautiful clusterfuck, the most go-go-go shit ever, there’s no breaks, there’s no fucking stops. There’s surprises around every corner and I’m really fucking proud of how it came out.
Read MoreArtist Alex Vincent Explores the Link Between Heavy Music and Scary Movies→
/Between the movies and the music, it’s all one big adrenaline rush.
Read MoreSarah Yarkin on 'Texas Chainsaw Massacre' and Ties to Original Film→
/I don’t like horror movies. I don’t like being scared. I’m scared of everything! So I said to myself, “I will not put myself through this unless I have to, unless I get the role.” I got the role.
Read MoreRoland Emmerich on Leaving Conspiracy Theories Behind After 'Moonfall'→
/I loved shooting models, I don’t deny that. But on the other hand, in digital, you can endlessly fiddle and constantly improve the shots.
Read MoreI Set My Friends on Fire Have Already Won→
/We never practice. I’ve lost hearing along the way. It’s really hard to play the show. I can barely hear myself onstage because sometimes the monitors aren’t that good.
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